15+ Graphic Design Magazines For Print Lovers (2024)

15+ Graphic Design Magazines For Print Lovers (1)

When leafing through the pages of a beloved magazine, we grow ever-so-reluctant to believe that print can possibly be dead. After all, graphic design magazines are a reliable source of inspiration that’s been around for a very long time. And despite changes in the publishing industry, they’re not showing signs of going anywhere anytime soon.

With immaculate production value and striking visuals in each new issue, the following 15 leading print publications are a recommended read (and coffee table decor) for all creatives. They can help you get inspired when learning how to create a website, or graphic design portfolio whether you're a website designer, illustrator, typographist or on your way to becoming a graphic designer. You’ll find something to love in each of these beauties:

Top graphic design magazines

  1. Eye

  2. Wallpaper*

  3. Slanted

  4. Creative Review

  5. Communication Arts

  6. 3x3

  7. Juxtapoz

  8. Printed Pages

  9. Eye on Design

  10. A New Type of Imprint

  11. Kinfolk

  12. Wrap

  13. Disegno

  14. Harvard Design Magazine

  15. PRINT

01. Eye

Published quarterly | London, UK

Having been around since 1990, Eye has grown into an established journal for graphic design and visual culture. It boasts critical and informed writing on a wide range of topics, from graphic design books to technology.

The visually rich pages of the magazine are full of in-depth design writing, including critiques, opinion pieces, interviews with industry leaders, analysis of design history, and more.

Published monthly | London, UK

Founded in 1996, Wallpaper is a design and lifestyle publication that covers the spheres of architecture, fashion, travel, design and art. With exquisite photography of buildings, artworks and more, the magazine has become somewhat of a benchmark for quality and style in the design world.

Wallpaper is also the initiator of Handmade, an annual craftsmanship and design exhibition that’s currently in its eleventh year. For each new Handmade exhibition, designers, makers and manufacturers are commissioned to create one-off items, extending the concepts and values of the print version into real life.

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Published biannually | Karlsruhe, Germany

Award-winning graphic design magazine Slanted first debuted in 2004. It showcases select graphic design portfolios and discusses major events in the international design and culture scenes.

Each issue of the magazine focuses on a specific geographic location. In doing so, it transports readers to destinations such as Rwanda, Prague, Dubai and Tokyo, offering a fascinating inspection of the local design world in each one. In addition to the magazine itself, Slanted also operates a type foundry and a publishing house, focusing on art and design books and its own online design blog.

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Published monthly | London, UK

Operating since 1980, Creative Review champions commercial creativity across disciplines. The magazine provides analysis and insights of anything from growing design trends to pressing cultural issues, and offers practical advice for creative professionals. It also features designers, artists, and studios, introducing their bodies of work through image and text.

Every year, the magazine releases a special issue titled the “Creative Review Annual,” announcing the winning entries of the magazine’s annual competition. This special issue highlights the best creative work from various fields, including advertising, design, music, film and games. If you're ever facing a creative block, be sure to check out this magazine for inspiration.

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Published bimonthly | California, USA

Communication Arts is a three-generation family-run business that was first established in 1959. The magazine encompasses the various disciplines within visual communication, such as graphic design, art direction, advertising, interaction design, illustration and photography.

The magazine hosts six creative competitions a year, with the winning entries published both in print and online—a great way for up-and-coming freelance graphic designers or studios to showcase their work. As an additional means of promoting creative work, the family behind the magazine has founded the Richard and Jean Coyne Family Foundation, which aims to increase diversity in visual communications through education.

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06. 3x3

Published annually | New York, USA

When 3x3 formed back in 2003, it was the very first publication devoted solely to the art of contemporary illustration. The magazine’s mission is threefold: to archive contemporary illustration in print; to promote top illustrators’ work; and to encourage the use of illustration across published media.

On top of the magazine itself, 3x3 achieves those goals through conferences, design podcasts, portfolio reviews, gallery shows and workshops. It also holds the 3x3 International Illustration Awards Show, whose winners are announced both online and in print.

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Published monthly | California, USA

Rooted in genres such as psychedelic and street art, Juxtapoz is all about underground art that is “unpretentious and raw.” This clear editorial direction results in a cohesive style that readers have come to expect from the magazine. The mediums featured are diverse, ranging from painting and fashion to collectibles, installation, and photography.

Juxtapoz, which was first published in 1994, features artists, art fairs and galleries. Each issue is released with two different cover images: one for the newsstand version, and another for subscribers only, turning the magazine into a collectible item.

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Published biannually | London, UK

Printed Pages is a biannual compendium of the best creative work featured on the It’s Nice That blog over a six month period. The beautifully designed pages of the publication showcase the works of both well-known and emerging creatives, alongside essays on anything from the influential Bauhaus movement to the evils of millennial pink.

The magazine is made up of several different types of paper, boasting unique layouts on each page and different visual languages that adapt in accordance with the content. That, together with the featured works, amounts to an engaging magazine that’s full of design surprises throughout.

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Published triannually | New York, USA

Published by AIGA, the professional association for design, Eye on Design offers insightful analysis into the world of graphic design. Each issue is designed by a guest art director, who’s at liberty to visually interpret the entire magazine. The only constant is the cover, which always retains its laser-cut eye icon - but even this element gets a new spin every time.

Each issue is centered around a conceptual theme, such as “Utopias” or “Distraction,” which is then explored from various angles. The thought-provoking essays raise many burning issues like gender at design conferences, a designer’s responsibilities in the face of climate change, and more.

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10. A New Type of Imprint

Published quarterly | Oslo, Norway

A New Type of Imprint is a magazine for design and creative culture, first launched in 2014. Based in Norway, it dedicates many of its issues to the Scandinavian creative industries, taking a closer look into countries such as Iceland, Denmark and Sweden.

With handy dimensions that “fit right into the inner pocket of your vintage denim jacket,” this graphic design magazine is a visually pleasing and tastefully curated publication, covering the topics of design, history and contemporary art.

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Published quarterly | Oregon, USA

Kinfolk is not a design magazine per se but a slow lifestyle one, focusing on hospitality, community and food. Nevertheless, its clean and sophisticated style has made quite the mark in the world of design. Since its relatively recent launch in 2011, the magazine has coined a distinct visual language with far-reaching influence.

The independent magazine’s iconic aesthetic is centered around imagery with neutral color palettes, earthy tones, and soft lighting. It features elegant typography and a minimal layout, and is entirely free of ads. Kinfolk is also released internationally in Chinese, Korean, and Japanese editions, and the brand has published several books (each with excellent book cover ideas).

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12. Wrap

Published annually | London, UK

Wrap celebrates the best in illustration, design and creative culture. The magazine, founded in 2010, promotes up-and-coming illustrators and designers by showcasing their work in high quality and large format. Each magazine includes interviews with creatives, accompanied by five double-sided pull-out prints.

Aside from the magazine, Wrap also produces a collection of products in collaboration with favorite illustrators and designers. This includes greeting cards, scented candles, and of course, the magazine’s namesake - wrapping paper.

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13. Idea

Published quarterly | Tokyo, Japan

Idea is a magazine about graphic design and typography that was first published in 1953. It’s a bilingual publication written in Japanese, but many of its texts also appear in English.

Idea’s design is a play on colors, layouts, and paper types, creating a one-of-a-kind printed product. The magazine examines different creative scenes both locally and internationally, showcasing the works of Japanese designers from various regions, highlighting Arabic typographers, and more.

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Published quarterly | London, UK

With long-form reporting on architecture, design and fashion, and critical analysis of current events in the design world, Disegno emphasizes the written word. The magazine’s diverse content includes interviews, reviews, photo-essays, and more.

The pages of Disegno form an interesting reading experience through surprising combinations of image and text. In some instances, elements appear stacked on top of one another, and in others, the typography becomes its own visual element, single-handedly adorning the page.

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Published biannually | Massachusetts, USA

This distinguished publication by the Harvard University Graduate School of Design seeks to expand the scope of design discourse, and explore the role of design in our culture. First introduced in 1997, the magazine relaunched in 2014 with a redesign and a new editorial perspective.

Each of the magazine’s issues are themed, with intriguing titles like “Inside Scoop,” “No Sweat” or “Well, Well, Well” to hint at their subjects (those being architectural interiors, work, and wellness). The Harvard Design Magazine’s stories are intellectual and scholarly, with bibliographical footnotes for every article. At the same time, they also manage to retain a playful, dynamic character.

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16. PRINT

Published digitally | Austin, USA

Since making its first appearance in 1940, PRINT Magazine went on to publish its physical print edition for nearly eight decades. This year, the magazine relaunched digitally with a Wix website, continuing to honor the brand’s deep legacy of reporting and celebrating visual culture.

Behind this design and art blog are acclaimed industry veterans such as Debbie Millman and Steven Heller. With articles, podcasts and other inspirational features, PRINT Magazine covers a wide breadth of content in the fields of typography, illustration, branding and much more.

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This article is not sponsored or endorsed by any of the brands featured, other than Wix.com.

15+ Graphic Design Magazines For Print Lovers (2024)

FAQs

Do graphic designers work for magazines? ›

Magazine Designer career paths

You can start off as a graphic designer and work your way up to a design manager. You can also move into marketing and become a marketing specialist or marketing manager. With experience, you can even become a vice president or director of communications and marketing.

Is 30 too old to learn graphic design? ›

In the dynamic and ever-evolving realm of graphic design, a pertinent question emerges: 'Is 30 too old to become a graphic designer?' The unequivocal answer answer is 'no. ' Nor should age, which is an arbitrary number, hinder a person from gaining knowledge or changing their career.

What happened to Computer Arts magazine? ›

Today marks the sale of the last issue of Computer Arts. After 25 years of searching for and championing the best design in the world, we're shutting shop. Be sure to grab a copy of our last issue (link in profile), which looks at the top talents in animation of 2020.

What is the hardest thing in graphic design? ›

Looks and usability are critical aspects of graphic design. But striking the right balance or between the two is one of the most difficult problems graphic designers face.

What are the 7 rules of graphic design? ›

There are seven traditional and universal principles of design, which are significant across the industry: emphasis, balance & alignment, contrast, repetition, proportion, movement, and white space.

What not to tell a graphic designer? ›

20 things you should never say to a graphic designer – But probably do
  • Don't say: “We haven't finished writing the copy, but can you design a draft?” ...
  • Don't say: “Can I get you to do something really quick?” ...
  • Don't say: “Can you put it in a format that we can edit?” ...
  • Don't say: “Can you do lots of different versions?

Is graphic design hard? ›

Is Graphic Design Hard to Learn? Learning graphic design is not hard, but it does require creative thinking, an aptitude towards art and design, and time and dedication. Graphic design requires learning the necessary tools, as well as understanding and applying the principles and theories of design.

Is graphic design still a good career? ›

In today's technical and creative world, the employment outlook for graphic designers is promising. For those who are new to the field, this is encouraging news. Every company nowadays needs a dedicated graphic designer or design team despite the intense competition.

Can I be a self taught graphic designer? ›

While you don't need a formal education to become a graphic designer, you do need to have a solid understanding of the fundamentals.

What age do most graphic designers start? ›

The truth is, there is no set age limit or average age for graphic designers. The industry values creativity, skill, and a passion for design above all else. So, whether you're 20, 30, or even 40 or 50, it's never too late to embark on a fulfilling journey as a graphic designer.

Can a 15 year old be a graphic designer? ›

Graphic Design for 11 to 15 year olds will explore the world of visual communication as you unravel the possibilities of graphic design. You'll leave with a body of design work and new-found skills that can be put towards building a design portfolio.

Do print magazines still exist? ›

There are many print magazines that are still going strong. Some popular options include: The New Yorker: a weekly magazine that offers a mix of politics, culture, and the arts.

Why is print magazines declining? ›

Today, society tends to rely on information from digital platforms instead of print magazines. As a result, print tabloid sales have decreased significantly over the past ten years.

Is PC Magazine outdated? ›

The December 2022 issue of PC Magazine will be its last one. Carol Mangis, manager of the magazine's digital edition, announced the news in her “First Word” column. The magazine started its life in 1982, founded by David Bunnell, Jim Edlin, and Cheryl Woodard. By the end of 1983, the monthly issue had 800 pages!

What are the 5 standards of graphic design? ›

The Bottom Line

That's why understanding graphic design principles is essential. In this article, we've looked at five principles: visual hierarchy and contrast, balance and space, repetition, color, and variety.

What are 5 cons of being a graphic designer? ›

Cons of being a graphic designer
  • Mostly behind a computer. Graphic designers spend most of their days behind a computer. ...
  • Limited promotion opportunities. As a graphic designer, there are limited opportunities to progress your career. ...
  • Often work alone. ...
  • Deadlines. ...
  • Must meet client specifications.
Feb 13, 2024

What are common design mistakes? ›

#1 – Too Crowded. Designs that look like you crammed every available inch of the canvas to say something looks too busy and too crowded to be pleasing. Your message and information is important, but find ways to put it on your design without it looking or feeling crowded.

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